\t\t\t\t\tDaVinci Resolve Mastery: The Complete Video Editing Bootcamp
\u042f\u0437\u044b\u043a \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 + \u0441\u0443\u0431\u0442\u0438\u0442\u0440\u044b \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u043c \u044f\u0437\u044b\u043a\u0435<\/p>\n
\t \t \t\t <\/p>\n
\u041e\u0441\u0432\u043e\u0439\u0442\u0435 \u043c\u043e\u043d\u0442\u0430\u0436 \u0432\u0438\u0434\u0435\u043e, \u0446\u0432\u0435\u0442\u043e\u0432\u0443\u044e \u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u044e, \u0446\u0432\u0435\u0442\u043e\u0432\u0443\u044e \u0433\u0440\u0430\u0434\u0443\u0438\u0440\u043e\u0432\u043a\u0443 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u044d\u0444\u0444\u0435\u043a\u0442\u044b \u0432 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0445 \u0432\u0435\u0440\u0441\u0438\u044f\u0445 DaVinci Resolve<\/p>\n
\u0427\u0435\u043c\u0443 \u0432\u044b \u043d\u0430\u0443\u0447\u0438\u0442\u0435\u0441\u044c:<\/b> <\/p>\n \u0414\u043b\u044f \u043a\u043e\u0433\u043e \u044d\u0442\u043e\u0442 \u043a\u0443\u0440\u0441:<\/b> <\/p>\n \u041f\u0440\u043e\u0433\u0440\u0430\u043c\u043c\u0430:<\/b> \u041e\u0441\u043d\u043e\u0432\u044b \u043c\u043e\u043d\u0442\u0430\u0436\u0430 <\/p>\n \u0421\u0434\u0435\u043b\u0430\u0439\u0442\u0435 \u0432\u0430\u0448\u0435 \u0432\u0438\u0434\u0435\u043e \u043b\u0443\u0447\u0448\u0438\u043c \u0432\u0438\u0434\u0435\u043e\u0440\u044f\u0434 \u0438 \u0437\u0432\u0443\u043a <\/p>\n \u0420\u0430\u0431\u043e\u0442\u0430 \u0432 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043d\u043e\u043c \u0440\u0435\u0436\u0438\u043c\u0435 (\u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u044c\u043d\u043e\u0435 \u0432\u0438\u0434\u0435\u043e) \u043d\u0430 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0435 \u00ab\u041c\u043e\u043d\u0442\u0430\u0436\u00bb <\/p>\n \u041e\u0431\u0440\u0435\u0437\u043a\u0430 \u0437\u0430\u043f\u0438\u0441\u0438 \u0433\u043e\u043b\u043e\u0441\u043e\u0432\u043e\u0433\u043e \u0441\u043e\u043f\u0440\u043e\u0432\u043e\u0436\u0434\u0435\u043d\u0438\u044f \u0438 \u043f\u043e\u0434\u0441\u043a\u0430\u0437\u0447\u0438\u043a\u0430 <\/p>\n \u041c\u043e\u043d\u0442\u0430\u0436 \u0434\u043b\u044f \u0441\u044e\u0436\u0435\u0442\u0430 — \u043e\u0441\u0432\u043e\u0439\u0442\u0435 \u0440\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u0432\u043e\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438 \u0440\u0435\u0434\u0430\u043a\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f <\/p>\n \u0423\u043f\u0440\u0430\u0432\u043b\u044f\u0439\u0442\u0435 \u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u0448\u043a\u0430\u043b\u043e\u0439 — \u043c\u043d\u043e\u0433\u043e\u0434\u043e\u0440\u043e\u0436\u0435\u0447\u043d\u043e\u0435 \u0440\u0435\u0434\u0430\u043a\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u0438 \u0442\u043e\u0447\u043d\u043e\u0435 \u043e\u0431\u0440\u0435\u0437\u0430\u043d\u0438\u0435 <\/p>\n \u0420\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u044d\u0444\u0444\u0435\u043a\u0442\u044b \u0438\u0437\u043c\u0435\u043d\u0435\u043d\u0438\u044f \u0441\u043a\u043e\u0440\u043e\u0441\u0442\u0438 \u0432\u0438\u0434\u0435\u043e \u0438 \u043a\u043e\u0440\u0440\u0435\u043a\u0442\u0438\u0440\u043e\u0432\u043a\u0430 \u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u043f\u0430\u0440\u0430\u043c\u0435\u0442\u0440\u043e\u0432 <\/p>\n \u0417\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u0438\u0435 \u043c\u043e\u043d\u0442\u0430\u0436\u0430 \u0432\u0438\u0434\u0435\u043e \u0438 \u0437\u0432\u0443\u043a\u0430 \u0438 \u0434\u043e\u0440\u0430\u0431\u043e\u0442\u043a\u0430 \u043e\u043a\u043e\u043d\u0447\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0432\u0435\u0440\u0441\u0438\u0438 \u043c\u043e\u043d\u0442\u0430\u0436\u043d\u043e\u0439 \u0434\u043e\u0440\u043e\u0436\u043a\u0438 <\/p>\n \u042d\u043a\u0441\u043f\u043e\u0440\u0442 \u043e\u043a\u043e\u043d\u0447\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0432\u0435\u0440\u0441\u0438\u0438 <\/p>\n \u041f\u043e\u043b\u043d\u043e\u0435 \u0440\u0443\u043a\u043e\u0432\u043e\u0434\u0441\u0442\u0432\u043e \u043f\u043e \u043c\u043e\u043d\u0442\u0430\u0436\u0443 \u0441 \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043d\u0438\u0435\u043c \u043d\u0435\u0441\u043a\u043e\u043b\u044c\u043a\u0438\u0445 \u043a\u0430\u043c\u0435\u0440 \u0432 DaVinci Resolve (\u0431\u0435\u0441\u043f\u043b\u0430\u0442\u043d\u0430\u044f \u0432\u0435\u0440\u0441\u0438\u044f). <\/p>\n \u0414\u0438\u043d\u0430\u043c\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043e\u0431\u0440\u0435\u0437\u043a\u0430 JKL (\u043f\u0440\u043e\u0434\u0432\u0438\u043d\u0443\u0442\u044b\u0439 \u043c\u0435\u0442\u043e\u0434 \u0440\u0435\u0434\u0430\u043a\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u044f \u0432\u0438\u0434\u0435\u043e) <\/p>\n \u0421\u0442\u0440\u0430\u043d\u0438\u0446\u0430 \u00ab\u041c\u0435\u0434\u0438\u0430\u00bb: \u0438\u043c\u043f\u043e\u0440\u0442 \u0438 \u0441\u0438\u0441\u0442\u0435\u043c\u0430\u0442\u0438\u0437\u0430\u0446\u0438\u044f \u043c\u0435\u0434\u0438\u0430\u0444\u0430\u0439\u043b\u043e\u0432 \u0432 DaVinci Resolve <\/p>\n \u0420\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u043f\u0435\u0440\u0435\u0445\u043e\u0434\u044b: \u043f\u0440\u0438\u043c\u0435\u043d\u0435\u043d\u0438\u0435 \u0438 \u043d\u0430\u0441\u0442\u0440\u043e\u0439\u043a\u0430 \u043f\u0435\u0440\u0435\u0445\u043e\u0434\u043e\u0432 <\/p>\n \u0420\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u043f\u0440\u0435\u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u0438 \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u0435 <\/p>\n \u0420\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u0432\u043e\u0437\u043c\u043e\u0436\u043d\u043e\u0441\u0442\u0438 \u0440\u0430\u0431\u043e\u0442\u044b \u0441 \u0442\u0435\u043a\u0441\u0442\u043e\u043c, \u0442\u0438\u0442\u0440\u0430\u043c\u0438 \u0438 \u043d\u0438\u0436\u043d\u0438\u043c\u0438 \u0442\u0438\u0442\u0440\u0430\u043c\u0438 — \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u0435, \u043d\u0430\u0441\u0442\u0440\u043e\u0439\u043a\u0430 \u0438 \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u044f <\/p>\n \u0420\u0430\u0441\u0448\u0438\u0440\u0435\u043d\u043d\u044b\u0435 \u044d\u0444\u0444\u0435\u043a\u0442\u044b: Resolve \u0438 Fusion FX <\/p>\n \u0420\u0435\u0441\u0443\u0440\u0441\u044b, \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u044b\u0435 \u0434\u043b\u044f \u0441\u043b\u0435\u0434\u0443\u044e\u0449\u0438\u0445 \u0440\u0430\u0437\u0434\u0435\u043b\u043e\u0432: \u00abFusion\u00bb, \u00abColor\u00bb \u0438 \u00abFairlight\u00bb <\/p>\n \u041e\u0441\u043d\u043e\u0432\u044b Fusion <\/p>\n Fusion — \u0430\u043d\u0438\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u0433\u0440\u0430\u0444\u0438\u043a\u0430 <\/p>\n \u0421\u0442\u0440\u0430\u043d\u0438\u0446\u0430 \u00ab\u0426\u0432\u0435\u0442\u00bb \u0438 \u043a\u043e\u043d\u0446\u0435\u043f\u0446\u0438\u044f \u0443\u0437\u043b\u043e\u0432 <\/p>\n \u041e\u0441\u043d\u043e\u0432\u043d\u044b\u0435 \u043f\u043e\u043d\u044f\u0442\u0438\u044f \u0438 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0435\u043d\u0438\u044f \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0438 \u0446\u0432\u0435\u0442\u0430 \u0434\u043b\u044f \u043d\u0430\u0447\u0438\u043d\u0430\u044e\u0449\u0438\u0445 <\/p>\n \u0414\u043e\u0441\u0442\u0438\u0436\u0435\u043d\u0438\u0435 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0439 \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u0441 \u043f\u043e\u043c\u043e\u0449\u044c\u044e \u043e\u0441\u043d\u043e\u0432\u043d\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 <\/p>\n \u041a\u043e\u043f\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u0438 \u0434\u0443\u0431\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u0443\u0437\u043b\u043e\u0432 — \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u044f <\/p>\n \u041e\u0431\u0437\u043e\u0440 \u0438\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u043e\u0432 \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 <\/p>\n \u0418\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u044b \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u2014 \u043a\u0440\u0438\u0432\u044b\u0435 RGB <\/p>\n \u0418\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u044b \u0434\u043b\u044f \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u2014 ColorSlice <\/p>\n \u0418\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u044b \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u2014 Color Warper <\/p>\n \u0418\u043d\u0441\u0442\u0440\u0443\u043c\u0435\u043d\u0442\u044b \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u2014 \u043a\u0432\u0430\u043b\u0438\u0444\u0438\u043a\u0430\u0442\u043e\u0440\u044b <\/p>\n \u041c\u0430\u0441\u043a\u0438 \u0432\u043b\u0438\u044f\u043d\u0438\u044f \u0438 \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 <\/p>\n \u0423\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u0435 \u0432\u0438\u0434\u0435\u043e <\/p>\n \u041c\u0435\u0442\u043e\u0434\u044b \u0440\u0430\u0431\u043e\u0447\u0435\u0433\u043e \u043f\u0440\u043e\u0446\u0435\u0441\u0441\u0430 \u0446\u0432\u0435\u0442\u043e\u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u0438 \u2014 LUT \u0438 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e <\/p>\n \u0420\u0430\u0431\u043e\u0442\u0430 \u0441\u043e \u0437\u0432\u0443\u043a\u043e\u043c <\/p>\n \t\u0421\u043f\u043e\u0439\u043b\u0435\u0440: \u041e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0435 \u043e\u043f\u0438\u0441\u0430\u043d\u0438\u0435 \tWelcome DaVinci Resolve Bootcamp2:19 Make Every Cut Count: Your First Cut Page Project1:33 Import your timeline to continue3:34 Project Settings for Vertical Videos3:49 VoiceOver Recording Settings5:58 Your New project Roadmap: From Interview to Final Edit3:07 Your Learning Path: Build the Story with B-Roll1:15 Set Up the Speed Timeline with Dynamic Project Switching3:14 Complete & Polish the Visual and Audio Edits1:05 How to Deliver High Quality Videos1:59 Special Interview Clips to Practice MultiCam0:05 How to use JKL in the Timeline3:14 Introduction to the Media Page1:13 How Clip Handles affect Transitions3:41 Aim of the Lecture: The tutorial focuses on empowering students to apply and personalize transitions in DaVinci Resolve. The instructor encourages exploration and creativity in transition customization while emphasizing the importance of judicious use.<\/p>\n Key Learning Objectives:<\/p>\n Applying Standard Transitions: Learn to choose and apply standard transitions effectively in a video project.<\/p>\n Customizing with Keyframes: Gain skills in opening the transition curve editor, adding keyframes, and creating ease in\/out for a more refined transition effect.<\/p>\n Adjusting Handlers for Personal Style: Understand how to adjust clip handlers to tailor transitions to one's unique style.<\/p>\n Elegant Use of Transitions: Emphasis on using transitions elegantly and purposefully, avoiding overuse to maintain viewer engagement.<\/p>\n Sharing and Feedback: Encouragement to share the edited video on social media for peer review and feedback, fostering a creative learning environment.<\/p>\n Keywords and Keyphrases:<\/p>\n Custom Transitions in DaVinci Resolve<\/p>\n Video Editing Assignment<\/p>\n Keyframe Customization in Transitions<\/p>\n DaVinci Resolve Transition Curve Editor<\/p>\n Creative Video Transitions<\/p>\n Elegant Transition Application<\/p>\n Student Video Editing Projects<\/p>\n Social Media Video Sharing<\/p>\n Peer Review in Video Editing<\/p>\n Interactive Learning in Video Production<\/p>\n The Transforms and Motion you will learn0:44 Single and Multiple Line Rich Text Formatting5:47 Effects: Fusion and Resolve FX3:57 Download your resource for Fusion, Color and Audio0:02<\/p>\n How to start in Fusion3:40 How to work with Shapes (real ones)4:20 Create the Color Correction Timeline1:30 Color Correction vs Color Grading1:53 The Primaries — Wheels6:09 The easy methods to copy grades5:02 The different tools to color grade and secondary color correction3:56<\/p>\n How to work with the Custom Curves3:58 The Color Slice — An Overview2:11 Overview of the Color Warper — Hue — Saturation1:25 What are Qualifiers and Different Types of Qualifiers2:21 All about power windows0:30 Controlling the Video — Your learning take away from this section0:25 Primary and Secondary Colors4:01 Let's start with Audio1:22 \u0421\u043a\u043b\u0430\u0434\u0447\u0438\u043d\u0430: \u041c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u043e DaVinci Resolve: \u043f\u043e\u043b\u043d\u044b\u0439 \u043a\u0443\u0440\u0441 \u043f\u043e \u043c\u043e\u043d\u0442\u0430\u0436\u0443 \u0432\u0438\u0434\u0435\u043e [Udemy] [Louay Zambarakji] DaVinci Resolve Mastery: The Complete Video Editing Bootcamp \u042f\u0437\u044b\u043a \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 + \u0441\u0443\u0431\u0442\u0438\u0442\u0440\u044b \u043d\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u043c \u044f\u0437\u044b\u043a\u0435 \u041e\u0441\u0432\u043e\u0439\u0442\u0435 \u043c\u043e\u043d\u0442\u0430\u0436 \u0432\u0438\u0434\u0435\u043e, \u0446\u0432\u0435\u0442\u043e\u0432\u0443\u044e \u043a\u043e\u0440\u0440\u0435\u043a\u0446\u0438\u044e, \u0446\u0432\u0435\u0442\u043e\u0432\u0443\u044e \u0433\u0440\u0430\u0434\u0443\u0438\u0440\u043e\u0432\u043a\u0443 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u044b\u0435 \u044d\u0444\u0444\u0435\u043a\u0442\u044b \u0432 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0445 \u0432\u0435\u0440\u0441\u0438\u044f\u0445 DaVinci Resolve \u0427\u0435\u043c\u0443 \u0432\u044b \u043d\u0430\u0443\u0447\u0438\u0442\u0435\u0441\u044c: \u041a\u0430\u043a \u0441\u043a\u0430\u0447\u0430\u0442\u044c, \u0443\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u0442\u044c \u0438 \u043f\u0440\u0430\u0432\u0438\u043b\u044c\u043d\u043e \u043d\u0430\u0441\u0442\u0440\u043e\u0438\u0442\u044c DaVinci Resolve \u043d\u0430 \u0432\u0430\u0448\u0435\u043c […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-77238","post","type-post","status-publish","format-standard","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts\/77238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=77238"}],"version-history":[{"count":0,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts\/77238\/revisions"}],"wp:attachment":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=77238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=77238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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\u0412\u0432\u0435\u0434\u0435\u043d\u0438\u0435 <\/p>\n\n
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Course details: What You\u2019ll Learn (2026 Edition)2:42
Downloads & Assignments1:28
How to Download your Free Copy of the latest DaVinci Resolve1:49
Workflow in DaVinci Resolve and course structure2:46<\/p>\n
Starting Fresh: Creating a New Project3:04
Quick Start: Download your Cut Page Assets0:49
Importing Media Directly into the Cut Page4:35
Speed-Reviewing Footage in the Media Pool3:49
Source Tape: Review Everything Faster3:03
The Source Tape Preview — An advanced preview method4:29
Building Your First Rough Cut9:20
Protect Your Work with Live Save and Backups4:38
Understand the two Cut Page Timelines2:16
Source Vs Timeline Clips0:43
Fine-Tuning: The Art of Trimming Clips9:29
Fast Editing: Mastering Smart Insert4:02
Navigation Tips to work Faster2:16
Rearrange Shots with Lift and Insert3:42
Replace Shots with Ripple Overwrite3:16
How to Relink Media when it's red2:25
Hands-On Project: Build Your Parkour Rough Cut2:40
Section Summary: Your achievement so far2:02
Reference book: Techniques and Shortcuts0:01<\/p>\n
Meet the Inspector: Control Your Clips with Precision2:40
Understanding Handles: The Secret Behind Smooth Transitions2:22
Previewing and Adding Transitions in the Cut Page5:58
The Standard and Default Transition2:59
How to Customize Regular\/Standard Transitions5:37
How to Customize Fusion Transitions2:41
How to add Titles & Lower third6:30
How to animate Lower third & Fusion Title6:34
Clip Tools — Composite, Dynamic Zoom & Auto Color5:59
Clip Tools — Speed Change9:04
How to add Audio & Music in the Cut Page4:03
How to Adjust to balance Volume3:49
How to work with Audio Transitions2:01
Slip Audio Edits to Hit the Beat2:27
Hands-On Project: Complete a Short Video in the Cut Page2:46
Example of Final Assignment — Cut Page2:09
Reference book: Techniques and Shortcuts0:01<\/p>\n
Timeline Settings for Vertical Videos3:30
Important settings for Timeline Vertical Videos2:46<\/p>\n
How to record VoiceOver directly to the timeline6:32
How to use the VoiceOver Prompter5:08
Your Assignment VoiceOver Recording1:26<\/p>\n
Essential Project Settings and Preferences4:33
Create the Interview Timeline4:37
How to download your Resources for this project1:41
Import, Organize, and Preview Media in the Edit Page2:16
Timeline Zoom, Playback, and Preview Controls5:20
What are a Sound Bites1:57
Building the Interview Story: A 3 Steps Workflow.2:18
Interview Editing Workflow: Selects, Insert, and Append4:28
Build a Rough Cut from the Long Interview3:56
CathUpTimeline: Exporting and Importing Timelines2:39
Blade, Delete, Ripple Delete, Lift, and Extract Explained Simply2:55
Marking In and Out Points to Extract Timeline Sections1:36
Ripple Editing: Close Gaps Automatically2:26
Extend Edit: Trim Start and End Faster3:01
Watch Me Edit: Refining the Interview Timeline9:20
Synchronize Two Camera Angles Using Audio Waveforms5:28
Grouping Clips Visually2:31
Swap Clips, Move Clips, and Reorder the Timeline4:21
The Final Timeline for the Next Section1:49
Reference book: Techniques and Shortcuts0:01<\/p>\n
Bring the Dialogue Timeline into Your Project1:39
Create and Manage Video and Audio Tracks5:13
Linked Selection: Move Video and Audio Together or Separately3:42
Selection Follows Playhead: Select Clips Automatically3:08
Source Track Selectors: Safely Overwrite Clips to the Correct Tracks4:42
Sync Lock: Keep Tracks in Sync During Ripple Edits3:43
Auto Track Selector: Control which Tracks are affected2:42
Trim Edit Mode: Trim Clips with Precision10:13
Track Select Forward\/Backward: Move Contiguous Clips Together3:30
Three-Point Editing: Three-Point Overwrite3:44
Three-Point Editing: The Back-Timed Overwrite Edit2:59
Replace Edit: Change the Shot Without Changing the Timing2:06
Edit Timeline Clips in the Source Viewer1:21
Create J-Cuts and L-Cuts2:45
Slip and Slide Edits: Change Content or Timing2:40
Preparing for Retiming and Speed Effects0:48
Reference book: Techniques and Shortcuts0:02<\/p>\n
Retime an Entire Clip with Change Clip Speed5:07
Take Control with Retime Controls2:44
Create Variable Speed Effects with Speed Points5:36
Create a Freeze Frame Segment3:47
Create Reverse Playback Effects6:40
Create a Rewind Segment3:04
Project: Build a Multiple-Speed Timeline0:48
Reference book: Techniques and Shortcuts0:02<\/p>\n
Create Multi-Speed B-Roll Effects6:52
Working with Keyframe Speed Point in the Edit Page4:26
3 Main Questions Answered4:38
Timeline Complete for Interview and B-Roll3:00
Resolve Open Effects on the Opening Shot7:20
Resolve Generators on the Opening Shot4:56
Multi Text for advanced titles5:54
Animate the MultiText — One text at a time5:36
Closing Shot with scroll text4:21
Normalize and Balance the Dialogue9:22
Add Music & Automatically Lower Music with the Ducker7:16
Silencing unwanted Audio from B-roll4:03
Extra: Stabilize Your B-Roll4:51
Reference book: Techniques and Shortcuts0:02<\/p>\n
The Export\/Render Presets1:04
Setup Export for Online Upload8:27
Setup Export a High-Quality Master File4:31
The Render Queue4:48
Create your own preset and add it to quick export2:02
Direct Upload to YouTube and Social Media3:00
Reference book The Deliver Page + Essential Settings0:13<\/p>\n
The Complete Guide to The Multicam Workflow12:03<\/p>\n
How to use the Dynamic Trim Mode with Selection Mode — Slow Motion Editing5:30
How to use the Dynamic Trim Mode with Trim Edit Mode5:19
How to do a Dynamic Slip \/ Slide2:58<\/p>\n
Importing Your Media from the Media Page4:45
Advanced Media Import through Mapping your Drives and Folders5:00
Using Smart Bins in DaVinci Resolve3:31
Using Smart Bins for Timelines in DaVinci Resolve2:55
Speeding Up Playback in DaVinci Resolve with Smart Render1:55
Using proxy for more playback speed in DaVinci Resolve4:07
Exporting and Importing Projects in DaVinci Resolve3:14
Restoring Backups in DaVinci Resolve2:22
Relinking Media in DaVinci Resolve2:49<\/p>\n
How to use Keyframes to edit the Transition Curve5:26
How to use the Keyframe Curve to edit the Transition Curve3:35
How to use Effects to create your top Transitions7:33
How to use to create Pro Transitions with Adjustment Layers5:14
Tip: How to Save a Transition Preset for re-use1:36
How to use the Video Faders4:51
How to use the Audio Faders3:14
*** Your Assignment: Add & Customize Transitions0:57<\/p>\n
Onscreen Transforms and Dynamic Zoom in DaVinci Resolve2:55
Creating Smooth Motion Paths with Onscreen Keyframes in DaVinci Resolve2:42
How to Copy and Paste Clip Attributes in DaVinci Resolve3:49
Your Assignment: Create an Intro for Your Video in DaVinci Resolve1:07
Your Assignment Tutorial : Create an Intro for your movie7:15
How to Compound Clips2:49<\/p>\n
Animating Rich Text in DaVinci Resolve: Techniques and Tips3:30
Scroll Text in DaVinci Resolve: Tips and Techniques5:08
Fusion Text\/Text+ and the Write On5:43
Tip: Fusion Text: How to Roll and Scroll3:17
How to work with Fusion Titles & Lower Thirds4:44
Tip: Compositing Text — Text with Video Background2:07<\/p>\n
Resolve Effects On Screen Controls1:45
Applying, Customizing and Animating ResolveFX — Light Rays3:31
How to use the Adjustment Clip1:50<\/p>\n
Latest Method to add Fusion Comp0:45
A quick tour of the interface4:12
The concept of connecting nodes6:16
How to connect effects and masks5:43
Fusion Graphic Design — Logo animation8:59
How to animate in Fusion7:48
Setting up the Keyframes Panel5:46
Retiming your animation with the Keyframes Panel3:37
The Global In\/Out4:45
How to smooth animation for elegant speed4:48
Reversing a complete animation7:39
How to organize your work area3:23<\/p>\n
How to create a random a continuous rotation5:39
Infinite movement on dashed double shapes.3:37
An easy and simple one1:47
How to Create Grids and bars8:44
Looping shape animations7:04
**** Your Fusion assignment2:05<\/p>\n
The Ins and Outs of the Color Page8:01
The Concept of Nodes6:49
Working with Nodes5:38<\/p>\n
The 3 Main Ranges — Highlights — Midtones — Shadows1:23
What are Scopes?2:05
How to read the Scopes7:00<\/p>\n
The Primaries — Bars3:28
How to work with the Contrast4:06
The Shadows and Highlights Controls4:45
Main properties for Colors6:24
The Auto Color Correct options5:51
The Primaries — The Log Wheels6:11<\/p>\n
Copying nodes with attributes2:38
Creating and Grading Groups and Timeline Nodes8:20
Working with Shared Nodes3:08
Comparing Grading on multiple clips2:41<\/p>\n
How to add and work with anchors4:03
The Red Green Blue and Luma Curves2:45
How to work with Hue vs Hue Curve6:02
How to work Hue vs Sat Curve1:52
How to work Hue vs Luma Curve0:56
How to work Sat vs Sat Curve3:33
How to work Luma vs Sat Curve2:04<\/p>\n
Color Slice — Global Density — Saturation — Hue3:07
Working with the Color Slice5:34<\/p>\n
The Color Warper — Working with Saturation3:13
The Color Warper — Working with Hues2:49
How Pin and Re-pin points5:10
Using the Point Picker6:23
An overview of the tools6:37
The Color Warper — Chroma — Luma4:08<\/p>\n
The HSL Qualifiers — Selecting the Colors5:03
The HSL Qualifiers — Refining the Matte4:20
The HSL Qualifier — Grading and Secondary color correction2:22
Working with Outside nodes1:28
Just a note: How to compound Nodes1:05
The RGB Qualifiers1:44
The LUMA Qualifiers2:24
The 3D Qualifier + Green Screen6:06
Your Assignment: Change the eyes color1:02
Assignment Solution2:46<\/p>\n
Introduction to Windows7:19
Color Correction with Power Window4:16
Adding a Gradient Window4:01
How to color Correct Over and Under Exposed Frame5:53
Your Assignment: Color Correct and Grade1:56<\/p>\n
Stabilizing Shaky footage2:58
Tracking Power Windows5:01
Point Tracking2:14
The Blur Tab3:03
The Sizing Tab2:46<\/p>\n
How to Apply LUTs to Nodes and Clips — The Key Tab and Node Opacity5:03
How to Create and Apply Project's LUTs2:59
How to Copy Grades from one Clip to Another2:04
Grabbing Stills & Working in the Gallery3:52
How to Compare Shots for better Color Grading2:18<\/p>\n
How to silence selected audio5:54
How to remove noise — Noise Reduction13:26
The Fairlight page2:57
The Mixer6:25
Leveling the volume: How to use the Compressor5:18
How to protect volume with the Limiter1:00
How to use the Expander — Gate4:22
The Equalizer: How to use the Equalizer6:19
Best Audio with the Equalizer
\u0426\u0435\u043d\u0430 1400 \u0440\u0443\u0431. ($14,99)<\/p>\n","protected":false},"excerpt":{"rendered":"