{"id":9974,"date":"2024-06-13T14:10:02","date_gmt":"2024-06-13T11:10:02","guid":{"rendered":"https:\/\/rss.eground-zerkalo.com\/?p=9974"},"modified":"2024-06-13T14:10:02","modified_gmt":"2024-06-13T11:10:02","slug":"master-screen-printing-pre-press-%d0%bb%d1%83%d1%87%d1%88%d0%b8%d0%b5-%d1%82%d0%b5%d1%85%d0%bd%d0%b8%d0%ba%d0%b8-2024-colin-fleming","status":"publish","type":"post","link":"https:\/\/rss.eground-zerkalo.com\/?p=9974","title":{"rendered":"Master Screen Printing Pre-Press: \u043b\u0443\u0447\u0448\u0438\u0435 \u0442\u0435\u0445\u043d\u0438\u043a\u0438 2024 [Colin Fleming]"},"content":{"rendered":"<h2 class=\"\">Master Screen Printing Pre-Press: \u043b\u0443\u0447\u0448\u0438\u0435 \u0442\u0435\u0445\u043d\u0438\u043a\u0438 2024 [Colin Fleming]<\/h2>\n<p> \t\t\t\t\t \t \t<img decoding=\"async\" src=\"https:\/\/v16.skladchik.org\/attachments\/2024-06-13_13-27-40-png.1021360\/\" class=\"bbCodeImage LbImage\" alt=\"2024-06-13_13-27-40.png\" \/> \t\t  <\/p>\n<p> \u044f\u0437\u044b\u043a: \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439<\/p>\n<p> \u0427\u0435\u043c\u0443 \u0432\u044b \u043d\u0430\u0443\u0447\u0438\u0442\u0435\u0441\u044c: <\/p>\n<ul>\n<li>History of Screen Printing<\/li>\n<li>The modern pre-press techniques<\/li>\n<li>Create the perfect proofing template, disclainers, Dealing with Screen Print Spoilage, and<\/li>\n<li>Colour theory, RGB, CMY, CILAB (LAB), rendering intent, gamut, and colour space<\/li>\n<li>Colour Management, Colour Matching, Pantones, and Callibration<\/li>\n<li>Halftones, Moire, Screen Angles, Dot Gain, Dithering, FM\/Stochastic, LPI, PPI, DPI, and Dot Shapes<\/li>\n<li>Screen Printing, Screen Mesh, Squeegees, Exposing, Machines, Inks, and Accessories<\/li>\n<li>Simulated Process Colour, Index Colour, CMYK, Grayscale, and Spot Colour Separations<\/li>\n<li>Making a colour cromalin, an exact simulation was made from the separations to depict the printed result dot for dot.<\/li>\n<li>Pre-press, producing film positives, laser and inkjet printers, imagesetters, making positives without a RIP or postscript<\/li>\n<li>Safety in a print shop, Etiquette, and Motivation<\/li>\n<li>Updated modern prepress techniques for 2024 and beyond.<\/li>\n<li>Why you must think CMY instead of CMYK: Lean to unlock the key in process separations.<\/li>\n<li>Advanced techniques in CorelDRAW and Photoshop related to pre-press<\/li>\n<li>Making print-ready PDF separations for remote work<\/li>\n<li>The Underbase, Clipping, Knocking out Black, Selectice Underbase, Vector Underbase, Highlight White, and the Key (&quot;K&quot; or &quot;Black&quot; in CMYK)<\/li>\n<\/ul>\n<p> \u042d\u0442\u043e\u0442 \u043a\u0443\u0440\u0441 \u0432\u043a\u043b\u044e\u0447\u0430\u0435\u0442: <\/p>\n<ul>\n<li>6 \u0447 \u0432\u0438\u0434\u0435\u043e \u043f\u043e \u0437\u0430\u043f\u0440\u043e\u0441\u0443<\/li>\n<li>\u0417\u0430\u0434\u0430\u043d\u0438\u044f<\/li>\n<li>33 \u0441\u0442\u0430\u0442\u0435\u0439<\/li>\n<li>16 \u0440\u0435\u0441\u0443\u0440\u0441\u043e\u0432 \u0434\u043b\u044f \u0441\u043a\u0430\u0447\u0438\u0432\u0430\u043d\u0438\u044f<\/li>\n<li>\u0414\u043e\u0441\u0442\u0443\u043f \u0447\u0435\u0440\u0435\u0437 \u043c\u043e\u0431\u0438\u043b\u044c\u043d\u044b\u0435 \u0443\u0441\u0442\u0440\u043e\u0439\u0441\u0442\u0432\u0430 \u0438 \u0442\u0435\u043b\u0435\u0432\u0438\u0437\u043e\u0440<\/li>\n<li>\u041f\u043e\u043b\u043d\u044b\u0439 \u043f\u043e\u0436\u0438\u0437\u043d\u0435\u043d\u043d\u044b\u0439 \u0434\u043e\u0441\u0442\u0443\u043f<\/li>\n<li>\u0421\u0435\u0440\u0442\u0438\u0444\u0438\u043a\u0430\u0442 \u043e\u0431 \u043e\u043a\u043e\u043d\u0447\u0430\u043d\u0438\u0438 <\/li>\n<\/ul>\n<p>109.99$ (\u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e 9460 \u0440\u0443\u0431.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Master Screen Printing Pre-Press: \u043b\u0443\u0447\u0448\u0438\u0435 \u0442\u0435\u0445\u043d\u0438\u043a\u0438 2024 [Colin Fleming] \u044f\u0437\u044b\u043a: \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 \u0427\u0435\u043c\u0443 \u0432\u044b \u043d\u0430\u0443\u0447\u0438\u0442\u0435\u0441\u044c: History of Screen Printing The modern pre-press techniques Create the perfect proofing template, disclainers, Dealing with Screen Print Spoilage, and Colour theory, RGB, CMY, CILAB (LAB), rendering intent, gamut, and colour space Colour Management, Colour Matching, Pantones, and Callibration Halftones, Moire, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-9974","post","type-post","status-publish","format-standard","hentry","category-rss"],"_links":{"self":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts\/9974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9974"}],"version-history":[{"count":0,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=\/wp\/v2\/posts\/9974\/revisions"}],"wp:attachment":[{"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rss.eground-zerkalo.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}